Lost and Found Winter 2022

EDINBURGH.- A rare rock crystal jar found wrapped in textiles as part of the Galloway Hoard has been conserved, revealing a Latin inscription written in gold. The inscription says the jar was made for a bishop named Hyguald.

Most of the Galloway Hoard is currently on display at Kirkcudbright Galleries (until 10 July 2022) in a National Museums Scotland touring exhibition supported by the Scottish Government. However, some material which was wrapped in extremely fragile, rarely surviving textiles, is undergoing careful conservation and meticulous research behind the scenes as part of a three-year, £1million Arts and Humanities Research Council-funded project led by National Museums Scotland in partnership with the University of Glasgow.

When first removed as a bundle the jar could be only partially glimpsed through its textile wrapping. 3D X-ray imaging produced in partnership with the British Museum allowed the object to be investigated within its wrapping without damaging it. This revealed that the base had an inscription.

The jar, which is around 5cm high and resembles an ornate perfume bottle, is thought to have had an ecclesiastical function. It has now been carefully separated from its wrapping. The Latin inscription on the base, spelled out in gold letters, translates as ‘Bishop Hyguald had me made.’ It is the clearest evidence that some of the material in the hoard may have come from a church in the Anglo-Saxon kingdom of Northumbria, which included Dumfries and Galloway, and stretched as far north as Edinburgh and as far south as Sheffield.

Professor Alex Woolf, Senior Lecturer at the University of St Andrews said: “The inscription is in Latin, which was the universal language of the Western Church in those days. The sources and records of the period are incomplete, but what we do know from them is that there were several ecclesiastics in early Medieval Northumbria with the name Hyguald. We don't know of a Bishop Hyguald, specifically, but our lists of Northumbrian bishops are incomplete after 810. It is accordingly – and frustratingly – difficult to be more precise but it may well be that what we’re looking at is an otherwise undocumented mid-9th century bishop of either Whithorn or Hexham.”

Dr Martin Goldberg, Principal Curator, Medieval Archaeology & History, National Museums Scotland said: “It looks, from the carved surface of the Galloway Hoard rock crystal, that this was once the capital of a Corinthian-style crystal column. This is unique in early medieval Britain but there are parallels within the Roman Empire for objects of this type. The ones that I have seen are in the Vatican collection, where there are different forms of carved crystal columns. And so it was maybe 500 years old by the time it was transformed in the late 8th or early 9th century into a gold-wrapped jar.”

Dr Leslie Webster, former Keeper of Britain, Prehistory and Europe at the British Museum, said: “Rock crystal is unusual in itself. It is one of those materials that was greatly prized in the antique world, for its transparency and translucency, and so it’s associated with purity. So it was, I think even in its time, very, very special. And you can see from the way that the gold almost enshrines it, it’s made into a sort of relic. It’s a showcasing piece from a very high-status workshop, such as one that you might expect a bishop to have in one of his monasteries. This object is absolutely fascinating. I’ve seen a lot of Anglo-Saxon finds over the years in my professional career, some of them amazing. But this absolutely knocks them all into a cocked hat.”

The exhibition, Galloway Hoard: Viking-age Treasure runs at Kirkcudbright Galleries until 10 July 2022 and will tour thereafter to Aberdeen Art Gallery (30 July to 23 October 2022). It will be updated as of Monday 20 December with a new film outlining the discovery of the inscription on the rock crystal jar.

The Galloway Hoard is the richest collection of rare and unique Viking-age objects ever found in Britain or Ireland. It was discovered in 2014 and acquired by National Museums Scotland in 2017 with the support of the National Heritage Memorial Fund, Art Fund and the Scottish Government as well as a major public fundraising campaign. Since then, it has been undergoing extensive conservation and research at the National Museums Collection Centre in Edinburgh.

The Galloway Hoard will eventually go on long-term display at the National Museum of Scotland in Edinburgh with a significant and representative portion of it also displayed long-term at Kirkcudbright Galleries.

https://artdaily.cc/news/142129/Galloway-Hoard-yields-another-exciting-discovery--the-name-of-a-Bishop-Hyguald-inscribed-on-rare-rock-crystal-jar

The ‘most important piece of prehistoric art’ found in Britain in a century will go on view at the British Museum

The 5,000-year-old chalk sculpture was discovered on a country estate near the village of Burton Agnes in East Yorkshire

Daniel Cassady

10 February 2022

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Burton Agnes chalk drum, chalk ball and bonepin (3005BC-2890BC) ©The Trustees of the British Museum

Burton Agnes chalk drum, chalk ball and bonepin (3005BC-2890BC)

©The Trustees of the British Museum

Somewhere in East Yorkshire, near the village of Burton Agnes, a discovery was made in 2015 that the British Museum has now labeled the most important piece of British pre-historic art discovered in the last century. The intricate chalk sculpture, unearthed by Allen Archeology during routine excavation, was found to be 5,000 years old and will be unveiled to the public as part of the British Museum’s The world of Stonehenge exhibition, which opens 17 February.

“The sculpture is decorated with elaborate motifs that reaffirms a British and Irish artistic style that flourished at exactly the same time as Stonehenge was built,” according to a press release from the British Museum.

The Burton Agnes burial site

Photo: Allen Archaeology

The artefact is similar to the Folkton drums, three barrel-shaped cylinders made of solid chalk which are believed to be sculptures or talismans meant to protect children. Like the Folkton drums, which were found at the burial site of a child, the Burton Agnes drum was found at the head a grave holding the remains of three children.

“To my mind, the Burton Agnes drum is even more intricately carved [than the Folkton drums] and reflects connections between communities in Yorkshire, Stonehenge, Orkney and Ireland,” says Neil Wilkin, curator of The world of Stonehenge at the British Museum. “Analysis of its carvings will help to decipher the symbolism and beliefs of the era in which Stonehenge was constructed. We are honoured that the British Museum will be the first place the public will be able to see this important object, and that they will see it alongside 430 other ancient items telling the spectacular story of Stonehenge and the vibrant world in which it was built.”

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